Showing posts with label tame impala. Show all posts
Showing posts with label tame impala. Show all posts
Saturday, December 22, 2012
Why Fiona Apple's "The Idler Wheel..." was the Best Thing in 2012 and Other Stuff that Doesn't Suck
1. The Idler Wheel is Wiser than the Driver of the Screw and Whipping Cords Will Serve You More than Ropes Will Ever Do - Fiona Apple
In an age where every statement is clouded with layers upon layers of irony and meta-text, where the very notion of social media masks every action with pretense, forcing even the most bland of us into a life of performance art, the existence of Fiona Apple comforts me. In her, we have an artist who disappeared from the public eye for almost a decade and returned with a record so earnest and revealing that it forces us to remember what real emotions feel like. My Fiona Apple fandom is well-documented, so perhaps I'm exaggerating or gushing or whatever you want to call it. Still, the jittery, stripped down music presented to us on The Idler Wheel... coincides perfectly with the persona on the stage, and I can 't help but believe (maybe I need to believe) that in Apple is not only a genuine artist but a genuine person as well.
Every Single Night, Left Alone, Werewolf
2. The Master - Paul Thomas Anderson
Pretty much everything that can be said about PTA's The Master comes out in the film's first "processing" scene. As a movie that deals with Scientology through obfuscation, The Master seems almost elusive in its aim, a cult in and of itself. Yet in that first "processing" scene, we see a disheveled, alcoholic veteran in Joaquin Phoenix's Freddie Quell find something in Lancaster Dodd's (Phillip Seymour Hoffman) "Cause" that seems to speak to the inner turmoil within hi,. Freddie is erratic, prone to outbursts, and highly susceptible to suggest--the perfect candidate for a disciple--and the procession of Dodd's "processing" technique and the repetition of simple questions ("What's your name?") into more probing questions about Quell's "past failures" leads the two into an emotional crescendo before dissipating into the lull of post-baptism. The films builds in much the same manner and washes out into the silence and emptiness of a cult's many promises.
Theatrical Trailer
Note: The next two entries actually do suck, but I want to right about them anyway. So here we go...
Labels:
beach house,
best of 2012,
brian k vaughan,
chairlift,
dorito tacos,
fiona apple,
frank ocean,
john green,
kendrick lamar,
killer mike,
mayans,
nerdfighter,
saga,
tame impala,
toni morrison
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